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Utopias
LABEL_RESOURCE_EDITORS
LABEL_RESOURCE_PUBINFO
London 2009
LABEL_RESOURCE_PUBLISHER
Whitechapel Gallery
LABEL_RESOURCE_COPYRIGHTYEAR
2009
LABEL_RESOURCE_SIZE
240 p.
LABEL_RESOURCE_ISBN
978-0-85488-162-8
LABEL_RESOURCE_SHELFMARK
003743
LABEL_RESOURCE_DESCRIPTION

Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new. Contemporary art reflects this general ambivalence. The utopian impulse informs politically activist and relational art, practices that fuse elements of art, design, and architecture, and collaborative projects aspiring to progressive social or political change. Two other tendencies have emerged in recent art: a looking backward to investigate the utopian elements of previous eras, and the imaginative modeling of alternative worlds as intimations of possibility. This anthology contextualizes these utopian currents in relation to political thought, viewing the utopian as a key term in the artistic lineage of modernity.

It illuminates how the exploration of utopian themes in art today contributes to our understanding of contemporary cultures, and the possibilities for shaping their futures.

Artists surveyed include: Joseph Beuys, Paul Chan, Guy Debord, Jeremy Deller, Liam Gillick, Antony Gormley, Dan Graham, Thomas Hirschhorn, Ilya and Emilia Kabakov, Bodys Isek Kingelez, Paul McCarthy, Constant A. Nieuwenheuys, Paul Noble, Nils Norman, Philippe Parreno, Pil and Galia Kollectiv, Superflex, Rirkrit Tiravanija, Mark Titchner, Atelier van Lieshout, Jeff Wall, Andy Warhol, Wochenklauser, Carey Young

LABEL_RESOURCE_PARTS
Introduction: The Utopian Impulse in Contemporary Art
Utopia, 1516
German Ideology, 1845-46
Communist Manifesto, 1848
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LABEL_RESOURCE_PARTS
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